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Fair to Wear focuses on an aspect of the clothing industry that is often overlooked or ignored - Fair Trade clothing. While Fair Trade is a well-known concept when referring to food and beverage products, few people seem to be aware of the impact the clothing industry has on the environment, the poor working conditions of the people making our clothes, and the unjust trade agreements made with producers. This is symbolic of the prevalent cultural difference between 

consumers (generally from rich western nations) and producers (generally from poor developing countries). 

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After doing some research on the issue, we were surprised to find that there are only 8 Australian brands that can claim to manufacture clothing using Fair Trade cotton. You can view the full list           One of these is Melbourne based company called Etiko clothing, who is one of only two brands to be featured on the Australian Fashion Report Executive Summary with an A+ ranking. Rather than being a brand that is 'for profit,' they promote the idea of 'for profit for purpose', and are an example of how we can do things differently. This is the same message that Fair to Wear hopes to spread. Fashion, consumer culture and ethical standards do not necessarily have to be on opposing sides of the spectrum; we all have the choice to join and support a movement against poverty and exploitation. 

 

We will be targeting audiences that are interested in fashion, active online, and engaged with social and environmental matters. We will mainly be reaching out to young adults aged between 20 to 35 years. The consumers that lie within this age range can also be defined as 'millennials'. According to statistics provided by Millennial Marketing (2017), currently in the U.S. this demographic makes up 21% of consumer purchases, or the equivalent of a trillion dollars in direct buying power. These consumers are also much likelier have an interest in social issues, with 50% willing to make a purchase from a company if their purchase supports a cause and 37% willing to purchase a product to support a cause they believe in, even if it means paying a bit more (Millennial Marketing 2017). This means that people within this demographic have a lot of spending power and these are the consumers that we want to influence. In terms of location we are mainly targeting consumers within Melbourne, and particularly in inner city suburbs where there is a higher influx of our target population. 

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References: 

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Fairtrade 2017, Fairtrade Australia Cotton, Fairtrade Australia, viewed 11 April 2017, <http://fairtrade.com.au/~/media/fairtrade%20australasia/files/business%20and%20workplaces%20resources/cotton%20list_website_%20march%202017.pdf>

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Millennial Marketing 2017, Who Are Millennials, Millennial Marketing, viewed 13 April 2017, <http://www.millennialmarketing.com/who-are-millennials/>

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Nimbalker, G, Mawson, J & Harris, C 2016, Australian Fashion Report, Baptist World Aid, viewed 11 April 2017, <https://baptistworldaid.org.au/wp-content/uploads/2016/05/2016-Australian-Fashion-Report.pdf>

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Nynno Bel-Air

DIRECTOR

 

https://www.linkedin.com/in/nynnobelair/

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https://javaalto.wordpress.com/

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Sypnosis

About Us

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Fair to Wear is a documentary that aims to spread awareness and shed light on the fair trade fashion industry. You as the consumer have the power to support better prices, ethical working conditions, local sustainability, and fair agreements of trade for farmers and workers in the developing world. 

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Image Source: Wix

Production Plan

13th – 19th April:

  • Finalise Location Scouting

  • Finalise equipment bookings

  • Collect all release forms

  • (re)Confirm participants’ availability for shooting dates/any requirements, ie. Assistance with travel, clothing/props etc.

20th April:

  • Final revision of production script complete

21st April:

  • All equipment, props, costuming and any other miscellaneous requirements collated, packed and prepared for shooting

22nd April:

  • Shoot: Opening sequence ‘Getting Ready’

    • Location: Zemmy’s House (Brunswick)

    • Time: 10:00 – 14:00

    • Cast: Charissa Bowers

    • Crew: Zemmy, Lise, Nonny, Jason

    • Costume requirements:

      • etiko footwear, size 7

      • etiko shirt, medium

      • ‘streetwear’ bottoms

    • Props

      • Wardrobe clothing

      • Phone

      • Mirror

      • Make up

      • Bag and ‘bag items’

    • Equipment required:

      • Sony PXW-X70

      • Shotgun Mic

      • Tripod

      • Spare battery

      • Mobile device for Social Media

25th April:

  • Shoot: ‘etiko’ interview

    • Location: etiko Warehouse

36 Research Drive,

Croydon South, 3136

    • Time: 10:00 – 17:00

    • Particpant: Nick Savaidis

    • Crew: Zemmy, Lise, Nonny, Jason (rotating)

    • Costume requirements:

      • Simple

      • Camera-ready (no lines/checks etc.)

    • Props

      • N/A

    • Equipment required:

      • Sony PXW-X70 x2

      • Shotgun Mic

      • Lavalier

      • Tripod

      • Spare battery

      • Mobile device for Social Media

29th April:

  • Shoot: Models in Park

    • Location: Carlton Gardens

    • Time: 10:00 – 12:00

    • Particpant: Shamita Sivabalan, Violeta Brau Mugica, Daniel Edwards

    • Crew: Zemmy, Lise, Nonny, Jason (rotating)

    • Costume requirements:

      • Various etiko outfits

    • Props

      • Fan

    • Equipment required:

      • Sony PXW-X70 x2

      • Shotgun Mic

      • Tripod

      • Spare battery

      • Mobile device for Social Media

  • Shoot: Models in Street

    • Location: AC/DC Lane

    • Time: 13:00 – 15:00

    • Participant: Shamita Sivabalan, Violeta Brau Mugica, Daniel Edwards

    • Crew: Zemmy, Lise, Nonny, Jason (rotating)

    • Costume requirements:

      • Various etiko outfits

    • Props

      • Fan

    • Equipment required:

      • Sony PXW-X70 x2

      • Shotgun Mic

      • Tripod

      • Spare battery

      • Mobile device for Social Media

30th April – 5th May:

  • Post Production

    • Edit

6th May:

  • Feedback and Revision

6th May – 11th May:

  • Revise and finalise Post

12th May:

  • Submission

Social Media Strategy

 

 

A Fair to Wear Instagram and Twitter account will be created to accompany the documentary and final website. As documentary is a visual based format, Instagram will be the perfect tool to accompany it. The Instagram will be updated regularly with any behind the scenes footage, this could include things like filming, locations, editing, and products. This will update followers on our progress and provide an insight into the documentary making process. 

 

We will also be posting other relevant images to do with Fair Trade clothing and the ethical fashion industry. This could include things like images of factory conditions and workers, locations of where cotton is grown, and actual garments made by various ethical clothing brands. This content will be posted to attract people in our target demographic, fashion conscious 20-35 year olds who are also interested in ethically sourced clothing. By using appropriate hashtags with our Instagram posts we hope to increase engagement and connect with new followers and audiences that are engaged with the Fair Trade mindset. We will also be geotagging our posts, so that we can attract people within our target location (inner city suburbs/Melbourne) and so that it's easier for them to find us. 

 

We will also cross-post and promote our Instagram content via our twitter account. While Instagram will be used primarily to share visual content, Twitter will be used to share relevant articles and news concerning fair-trade clothing and ethical/sustainable fashion. This could be recent interviews, news articles and reports. 

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The website will contain information about the cast and crew, production details, sypnosis and social media links but will primarily be used as a platform to showcase the finished documentary. We will upload the video to Vimeo and then embed it on our website. We will post updates to Instagram and Twitter closer to the release date. We will also include a 'subscribe to updates' link on our website that we will include in our Instagram Bio and mention in our posts, this is so that subscribers can receive an email when the final product is released. We will also be using specific keywords to enhance SEO, so words like 'fair trade' 'australia' 'ethical' 'clothing' 'sustainable' and 'documentary.' 

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  • Twitter Social Icon
  • Instagram Social Icon

Source: Wix

The Script

First scene:

A sporty, casual girl-next-door is getting dressed in the morning. Arrow graphics that points to each garment states which country the clothes are made in.

 

Second scene:
We show the same girl going into the city and disappearing into a crowd of random people on the street, and a narrator starts talking about how few people are aware of the industry they are supporting by purchasing clothes from big, “cheap” brands (we are not going to mention any specific brands). Turns out most are made in low-cost countries where the working conditions are unethical.

 

Narrator starts going into details about the clothing industry, and we cut from the second scene to a compilation of pictures from factories and places the clothes are produced (we could get these from Etiko) while the narrator keeps talking and providing information about the industry. Another voice (Nick) starts talking about how he noticed that people were usually aware of fair trade when it came to foods, but not necessarily when it came to clothes. His company is one of a few in Australia that focuses on the supply chain of clothing and being 100 % fair trade.

 

Third scene:
We are at the factory and Nick is still talking (bridging from the previous segment), and establish Nick as a character. We explain a little more about fair trade and what it means on a general level. There are a lot of prerequisites to be met, and it is hard to get actually certified.  The narrator or Nick asks questions such as “Do you think it is important?” “How much would you actually pay for ethical clothing?” “Do you have any ideas on what ethical clothing looks like?”

 

Fourth scene:
We are back in the street, but in the midst of the bustling crowd we have a few people wearing clothes from Etiko, the same arrow aesthetics from the first scene returns and highlight that these garments are ethical clothing. Nick asks “If it is the same price, why wouldn’t you?”

Image Source: Wix

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